Visiting Montreal in March

by
Sarah Carleton

Buildings that once barely scraped the trees
have shot up, and the city feels like

a twenty-five-year-old, rangy and nocturnal.
Fresh new adults pour in and out

of restaurants—so many cheeks
without wrinkles, hands without toddlers,

heads without hats. I slalom around smokers
and stride into dark streets, and no alarms

blare in my mind, all sense of danger
having rolled off the plane

as it leapt north to a time when snow piles
lasted through spring and rights

weren’t sinking out of reach like coins
tossed into a public fountain.

Skipping the metro, I walk, electric signs
blasting my face, inner refrain displaced

by Quebecois patter, jumping crosswalk
lights and finessing puddle ice like a true

survivor of winter. The cold, though bitter,
tastes like comfort food.


Sarah Carleton writes poetry, edits fiction, plays the banjo, and knits obsessively in Tampa, Florida. Her poems have appeared in numerous publications, including Nimrod, Cider Press Review, ONE ART, Valparaiso, SWWIM, As It Ought to Be, and Rattle. Sarah’s poems have received nominations for the Pushcart Prize and Best of the Net. Her first collection, Notes from the Girl Cave, was published in 2020 by Kelsay Books, and her second, Sprung Loose, will be available in September.